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About

Some Collaborators: Aerolineas Amaszonas, Beat Lab, Bernardo de Niz, Byg Studios, CANON Mexicana, Carrot renta un coche eléctrico, Cheshvan Santana, Cineforo de la UdG, COLEMAN México, FONCA-CONACULTA, CPA, CUCSH, Demac AC, Desde México Films, Dmmfilms, Embajada de la RASD en México, ErreFilms, Filmoteca de la UNAM, Fundación Vive, Greenpeace, Instituto Tecnológico de Estudios Superiores de Occidente (ITESO, A.C), La Sabrosa Sabrosura, Oxfam, Paty Green, Gabo Navarro, Powerstein, Programa de Estímulo a la Creación y Desarrollo Artístico, Ricardo Ramírez Arriola, Roger Subirana, Mario Monroy Nieblas, Secretaría de Cultura del Estado de Jalisco, Sirvent Alex, SOGEM, Traes Flash??, UNESCO, Universidad de Guadalajara, Venancio Almanza, Valeria Moeller, Instituto de Bellas Artes y Ximena Herrera.

Dolma films se dedica a darle voz a las personas que menos tienen esa oportunidad, con películas, documentales, libros y videos que ayudan a sensibilizar, educar y conectar con otros seres humanos.

 

Dolmafilms is dedicated to giving voice to people who do not have that opportunity with films, documentaries, books and videos, to help raise awareness, educate and connect with other human beings.

 

Nuestro Trabajo /OUR FILMS 

"Gula un pecado" / Gluttony is a sin 

"Compaz de arena" / Sans of freedom

"Culpables de Inocencia" / Guilty of Innocence 

"Antes que se tire la Sal" / Spilling salt 

"7 años de Matrimonio" / 7 years of marriage" (screenplay)

"Strong Woman Rolling" (TV series)

"El bullying y tú" (colaboración)

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Natalia Armienta Oikawa

Directora de Dolma Films

http://oikawa.wix.com/nataliaarmienta

I'm interested in the mind and its functioning. Almost all my projects have a message, a mission, either share other people's experiences, create awareness or give a message to reflect on.

 

As an independent filmmaker in a country like Mexico, it's been a really big challenge to complete each film, even though, efforts are made to improve opportunities, until 2013 just 16% of the filmmakers managed to make the second film, and only 6% of them were women, according to the IMCINE yearbook.

 

Independent films that are not associated with Institutions are poorly promoted, so it's even harder to make public this kind of productions. However, my films have reached places I never imagined, they have helped incarcerated women, they've been used to teach in schools, they've given power and voice to so many people around the globe. Plays and puppets shows have been staged in Argentina and New York based on my films. That's the mission for me as a director and writer, to move, surprise, help, extend a virtual hand to those who are ready, and create a better world using the imagination.

 

So, if you have something to tell, let's get to work!

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